Skills

• Over 5 years of audio production. Full time and casual audio engineer.

• Sound knowledge of the main types of equipment used.

• Skill at resolving technical problems quickly.

• Profound knowledge and use of the computer (windows& mac).

• Excellent skill at watching gauges, dials, and other indicators to make sure a machine is working properly.

• Great knowledge of the theory and techniques required to compose, produce, and perform works of music, drama.

• Extensive experience in audio production of all genres of music

• Live audio capture of all genres of music and dialogue.

• Sound for film, video clip, foley, soundtrack for documentaries

• Sound and music for internet.

• Compose and mix dramatic sound for radio, advertising jingles

• Mix and master engineering for music, sound track for video and film, and live audio mix engineering for reinforcement and recording.

• Producing and mixing sound on shorts films / video clip.

Experience

SURGERY’S TAPE PRODUCTION, Perpignan (France) 2007 – Present



Sound Engineering Technician and owner

• Test equipment & lab setup

• Keep abreast of audio and RF test equipment in general and make appropriate purchase as necessary.

• Conferred with producers, performers, and others in order to determine and achieve the desired sound for a production such as a musical recording or a film.

• Prepared for recording sessions by performing activities such as selecting and setting up microphones.

• Regulated volume level and sound quality during recording sessions, using control consoles.

• Reproduced and duplicated sound recordings from original recording media, using sound editing and duplication equipment.

• Co-produced and managed band





SARL SCENSONIE, Castellane (France) 2008



Sound Engineering Technician (Face/Back) for Gigs

• Set up, tested, and adjusted recording equipment for recording sessions and live performances; put down equipment after event completion

• Mixed and edited voices, music, and taped sound effects for live performances and for prerecorded events, using sound mixing boards.

• Regulated volume level and sound quality during live performances, using control consoles.

• Reported equipment problems, and ensured that required repairs are made.





ASS 17 FILM, Paris (France) 2005- 2008



Sound Operator for films

• Conferred with producers, performers, and others in order to determine and achieve the desired sound for a production such as a musical recording or a film.

• Recorded speech, music, and other sounds on recording media, using recording equipment.

• Synchronized and equalized prerecorded dialogue, music, and sound effects with visual action of motion pictures or television productions, using control consoles.

• Mixed and edited voices, music, using sound mixing boards.

• Separated instruments, vocals, and other sounds in STEM, then combine sounds later during the mixing or post-production stage.





SMS FRANCE, St Rémi de Provence (France) 2004



Intern, stage

• Sold and installed sound equipment

• Prepared recording studio equipment to make a demonstration for the customers.

• Prepared order's shipment of sound equipment for the customers.

• Designed « SMS France » advertising page on the magazine « KEYBOARD RECORDING ».

• Designed and updated the SMS France website

Comments

QUALIFICATIONS :



Diploma of Sound Engineer

ESRA (high school of audiovisual realization)

Nice (France) 2004



REFERENCES :



Mr George Rossi (Sarl Scensonie – audio engineer) scensonie@cegetel.net +33492837474



Mr Tony Faria-Fernandes (Ass 17 film – director/screenwriter) 17film@gmail.com +33650441795



Mr Bernard Guiraud (Esra – professor of musical culture / audio engineer) bguiraud06@aol.com



Mr Stephen Taylor (Esra – audio engineer/producer) Stephen.Taylor.Music@gmail.com +33665416341